Character Evolution in Shakespeare\'s Macbeth

In Shakespeares Macbeth, the title characters predicament can be summed up in his discourse to himself in the beginning of Act I scene vii. In this passage, Macbeth weighs the pros and cons of murdering Duncan, the king. He finds that there is more against the plague than for it. Macbeths contemplativeness leads him to the conclusion that Duncan is a saint and hath borne his faculties so meek, hath been so clear in his gigantic office, that his virtues forget plead equivalent angels (Macbeth 1.7.17-19). Macbeth can not go through with the endeavor, for Duncan is no extraterrestrial being; he is a kinsman, and Macbeth is his subject. Macbeth is abut to Duncan, probably through a loyalty oath. One finds out(a) that Duncan has rewarded Macbeths loyalty with honor and with titles of nobility, resulting in an increase in Macbeths popularity. He also has a worry killing Duncan due to the event that Duncan is Macbeths guest. It is Macbeths task as a host to protect his guest.\n For Macbeth to contend the knife himself will be the ultimate form of cheating: he would be assail his kin, his king, and his guest with the same golf shot of his arm. One should pay squiffy attention to Macbeths language; in that same passage, Macbeth personifies pity, making the feeling a horseman who rides quickly on the wind. Macbeth then extends the parity to himself; he is also a horseman, but he is a clumsy one with olive-sized to no motivation or speed: I live no spur to bill the sides of my intent, but only curvet ambition which oerleaps itself and falls on th other (Macbeth 1.7.25-28). To put it simply, Macbeth safe can not constrain up with the pity, including the remorse that he believes he will feel erstwhile the deed is done.\nIn addition to the melancholy that will sweep the land once Duncan is dead, Macbeth knows that his time will be short: bloody instruction manual which, being taught return to plague th inventor (Macbeth 1.7.9-10). Macbeths amb ition to be the king is retard...